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Showing posts with label Town and Country. Show all posts
Showing posts with label Town and Country. Show all posts

Sunday, July 1, 2012

Shmoos

In 1945, Eva Zeisel began designing the Town and Country line of dinnerware for Red Wing Pottery. Zeisel liked to think that the way the abstract pieces nestled together gave them human qualities reminiscent of a mother with her children or a family of friendly creatures.

Most collectors of mid-century pottery know that the Town and Country salt and pepper shakers are affectionately called "Shmoos," but how many of you know why?


etsy.com - Modernismus

In 1948 Al Capp introduced a little animal called the Shmoo to his satirical comicstrip Li'l Abner. According to a [December 20, 1948] Life magazine article, the Shmoo is "round as a bowling ball, cute as a cross between a penguin and a Kewpie doll." The Shmoo released people from the drudgery of work, because he provided them with all their needs. The Life article went on to say that the shmoo "multiplies like the fruit fly, he dies happily and ready for the cook stove when you look hungrily at him, he lays cheesecake on a platter and gives the finest creamery butter and grade 'A' milk already sealed in a bottle. Broiled, he tastes like steak; fried, he tastes like the yummiest chicken."  A Shmoo's eyes made perfect suspender buttons, his whiskers made great toothpicks and his skin made useful materials for the manufacture of clothing and building supplies.


northernstarart.com
newsarama.co,

Shmoos became an instant phenomenon. According to research by Denis Kitchen, an expert on the subjects of cartoon art, out of print books and unusual collectibles, almost 100 licensed Shmoo products were produced by 75 different manufacturers in less than a year, some of which sold five million units each.

Shmoo products
deniskitchen.com
Shmoo ashtray
etsy.com - MaxsAttic

According to Kitchen:

There had never previously been anything like it. Comparisons to contemporary cultural phenomena are inevitable. But modern crazes are almost always due to massive marketing campaigns by large media corporations, and are generally aimed at the youth market. The Shmoo phenomenon arose immediately, spontaneously and solely from cartoonist Al Capp's daily comic strip—and it appealed widely to Americans of all ages. Forty million people read the original 1948 Shmoo story, and Capp's already considerable readership roughly doubled following the overwhelming success of the Shmoo.

So now you have the back story. The next time you hear Zeisel's salt and pepper shakers referred to as "shmoos," you'll know why.

From books.google.com (Life, Dec 20, 1948), deniskitchen.com, britishmuseum.org and essortment.com

(Thanks to blogger friend Antay for mentioning shmoos in his post yesterday, which reminded me that I had been keeping a folder full of shmoo info on the back burner for a while.)

Thursday, October 28, 2010

Eva Zeisel

Ceramics designer Eva Zeisel (1906-) began a prolific career in her late teens and continues to create innovative pieces even today. She was born in Budapest and pursued a career in painting, studying at the Royal Academy of Fine Arts, but left in search of a more craft-oriented trade. She was apprenticed to a ceramist and soon became one of the first female journeyman potters.

In 1932 Zeisel moved to Russia, drawn by the folk art and the peasant customs that still thrived there. She was forced to leave by the increasingly hostile attitudes towards foreigners. In 1938 she moved to England and married Hans Zeisel. The couple immigrated to the United States in late 1938. One of Zeisel's first commissions in America was designing giftware for the Bay Ridge Specialty Company. When she started teaching at Pratt in 1939, a position she held until 1953, she arranged an innovative apprenticeship for her students through Bay Ridge, offering them a unique opportunity to gain professional experience.

In 1942, after the MoMA's Organic Design in Home Furnishings exhibit, the Castleton Company asked the museum to find a ceramist who could design a series that would define a new era of modern china. Zeisel was chosen, and her 1946 Museum series was unveiled. She followed this line with the colorful and playful 1946 Town and Country dinnerware for Red Wing Pottery (shown in my October 26 post). Another acclaimed series was Tomorrow's Classic for Charles Seliger.

Zeisel retired from mass-produced commercial design in the mid 1960s. She kept creating her own work, however, and celebrated her 100th birthday by designing her first teapot for Chantal of Texas in 2006. Asked about her continued work, she said, “My new designs reflect, as always, my playful search for beauty.” And she adamantly refuses to say she's "still working," which she thinks implies what she's doing is unusual. According to Zeisel, she's just doing what she's always done...being a "maker of things."

From r20thcentury.com and oneartworld.com



jeremybales.blogspot.com

Museum pattern
brooklynmuseum.org

Tomorrow's Classic
midmodmom.com

Baby oil pourer
brooklynmuseum.org

Screen
jasonleedesign.com

Town and Country
bostonglobe.com

Vase
veniceclayartists.com

Duck tea set
modish.net

Chantal kettle
designed to celebrate her 100th birthday
craftcouncil.org


Update: Eva Zeisel died in 2011 at the age of 105. At the time this post was written, she was still alive.


Tuesday, October 26, 2010

Red Wing pottery

Red Wing dinnerware production began in 1935 and became the company's staple product from the early 1940s until operations ceased in 1967.

Most Red Wing dinnerware patterns were designed by Charles Murphy, but one notable exception was the bestseller Town and Country, which was created in 1946 by noted industrial designer Eva Zeisel. It became one of Red Wing's most important commercial products upon its release in 1947 and was produced until 1956. The Museum of Modern Art is reproducing the ware today, indicating the importance of the pieces in American modern design.

Several other patterns of Red Wing produced in the 1950s and 1960s in demand among mid-century collectors. In 1955, Smart Set and Crazy Rhythm were introduced, followed by Northern Lights in 1956, Lute Song in 1960 and Desert Sun, Pompeii and Pepe in1962.

From wisconsinpottery.org and mindspring.com


Town and Country by Eva Zeisel, 1946

Town and Country by Eva Zeisel, 1946

Smart Set, 1955

Crazy Rhythm, 1956

Desert Sun, 1962

Pompeii, 1962