Wabi-sabi is a Japanese term fo an aesthetic that recognizes the transitory nature of life and the impossibility of perfection. It is sometimes described as a concept of beauty that is imperfect. Characteristics of wabi-sabi include simplicity, asymmetry and roughness or irregularity, especially that caused by time or use.
Mid-century designers espoused simple design and functionality. The spare designs of Charles and Ray Eames, Isamu Noguchi and George Nakashima embodied the simplicity of wabi-sabi and celebrated the beauty in everyday things. It stands to reason that they would have expected their pieces to show wear and signs of age after decades of use.
Mid-century experts today warn against unnecessary restoration. Richard Wright, director of the Wright auction house, gave an example in an interview with Troy Segal of a restoration that reduced the value of a rare Eames piece from $15,000 to $5,000. He says, "A real warning sign is if a piece is too band-box fresh, too gleaming. It should look a little worn, show its age--that's desirable."
From ratioblog.com, about.com and motherearthnews.com
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The stark simplicity of the Eames home motherearthnews.com |
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The imperfect shapes of Noguchi's Akari lighting vitra.com |
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The natural irregularities of a Nakashima table lostcityarts.com |
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A beautifully aged Hans Wegner high back lounge chair 1stdibs.com |
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Thonet chairs in unrestored condition oneofakindantiques.com |