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Showing posts with label Gregory Ain. Show all posts
Showing posts with label Gregory Ain. Show all posts

Sunday, August 14, 2011

Gregory Ain and the Mar Vista Tract

Gregory Ain
Gregory Ain (1908-1988) was an American architect who worked primarily in the Los Angeles, California, area. He graduated from University of Southern California Los Angeles in 1928 and went to work for noted architects Rudolph Schindler and Richard Neutra.

By 1935 Ain was receiving his own commissions, and by 1937 he had developed an interest in reducing building costs for middle- and low-income families and designed Dunsmuir Flats. He was given a Guggenheim grant in 1940 to continue his work in low cost family housing, but World War II temporarily slowed his plans. During the war, he worked as Chief Engineer for the Moulded Plywood Division of the Evans Product Company of Los Angeles, where he assisted Charles Eames with his bent plywood chairs.

By the late 1940s, Ain was putting his ideas for low-cost housing into practice, designing housing tracts in Altadena (Park Planned Homes, 1946), Venice (Mar Vista Tracts, 1947) and Reseda (Community Homes, Inc., 1948), working with landscape architects such as Garrett Eckbo. Ain is said to be the first architect to design a house without servants in mind.

The Mar Vista Tract was a collaboration with Joseph Johnson and Alfred Day and was marketed as Modernique Homes. In these 52 homes, Ain used one basic house plan and was able to achieve a look of variation by rotating the plan in different directions and changing garage location.

The average house size was just over 1000 square feet, and the average sales price was about $12,000. The main selling points were the convertible features, the ultra-modern design and the color schemes.

By using folding wood panels and sliding panels, Ain achieved adaptable room spaces for families of any size. After reading a book about parenting by Dr. Benjamin Spock, Ain designed an open pass-through cabinet which allowed mothers to keep an eye on their children but which could be closed off by means of a Venetian blind hidden in a recessed area under the cabinet.

The houses were each painted in different rich color combinations, with each interior wall a different shade of the exterior theme color. There also would be a contrasting color on the entrance wall opposite the kitchen. This color stretched around the corner into the master bedroom, tying together the rooms. A dramatic effect was created by giving the "floating cabinet" a daring accent color. This color was also used on the doors to the toilet and the bathroom!There were a total of 23 different color design combinations created for the houses. This was done from 24 colors plus an additional seven floor colors.

In 2003, the Mar Vista Tract became the first Post-World War II Modern historic district in the City of Los Angeles.

Text from marvistatract.org, modernsandiego.org and usc.edu. All images from marvista.org

Original Modernique Homes model home
Original colors for Modernique Homes
Ad from Los Angeles Times, 1948
from the collection of Susannah Brin

Thursday, June 23, 2011

The architecture and activism of Josef Van der Kar

The latest issue of Modernism magazine has a fascinating article about architect Josef Van der Kar, about whom I knew very little before. According to the article, Van der Kar, or "Van," as he was known to his friends, was a very private person who nevertheless fell under the scrutiny of the House Un-American Activities Committee during the days of segregation for refusing to comply with the Federal Housing Administration's requirement to ban the sale of houses to minorities in the "Community Homes" project on which he was working with fellow architect and friend Gregory Ain. Van der Kar worked with architects such as Buckminster Fuller, Richard Neutra and Rudolph Schindler, as well as Ain, in designing homes for "the common man," which branded them as architectural revolutionaries.

Among those for whom he designed homes were Albert and Roberta Wohlstetter, a very conservative husband and wife team of foreign policy and nuclear arms strategists. Their home was built next to his own, and as unlikely as their friendship was, considering the difference in their politics, they were the closest of neighbors.

He also designed a home for Henry Shire, a union organizer who was expelled from his own union for insisting that black cabinetmakers be paid a wage equal to that of white workers. The Shire home was named a Los Angeles Historic-Cultural Monument in 2010.

Van der Kar also designed the home of landscape architect and friend Garrett Eckbo, with whom he worked exclusively in all his projects. If Eckbo weren't available when Van der Kar received a commission, he would turn down the job. The Eckbo home was across Laurel Canyon from the Van der Kar home.

Famous architectural photographer Julius Schulman and Gregory Ain were also close friends and neighbors. The Van der Kar home is currently for sale, listed at $1,699,000.

From jetsetmodernist.com

Wohlstetter house
modernismmagazine.com
Wohlstetter house
cdlib.org
Shire house
sahscc.org
Shire house
theeastsiderla.com
Eckbo house
cdlib.org
Van der Kar house
leelaplante.com
Van der Kar house
leelaplante.com