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| Some of my daughter's favorite things |
mid-century style gardening
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Showing posts with label Fenton. Show all posts
Showing posts with label Fenton. Show all posts
Saturday, September 24, 2016
Spaces: Living room built-in
The built-ins in the formal living room hold my daughter's treasures. She started collecting swung vases from estate sales 20 years ago, and I usually give her one or two every Christmas. She also loves Blenko owls and other glass figurals.
Saturday, January 22, 2011
The ubiquitous swung vase
Makers of mid-century glass, such as Viking Art Glass and L. E. Smith Glass Company, made swung vases, which were very popular. Other companies like Pilgrim, Fenton, Tiffin and Fostoria made their own versions of the swung vase, but they were not as common.
The vases generally ranged in height from a 7” bud vase to the giant “architectural” floor versions that were sometimes over 40” tall. They were hand-blown, then hand-swung to lengthen, and then the opening was hand-tooled and heat polished smooth. The vases were literally swung around to produce the neck, with stunning results.
Popular colors were amberina (an orange-red fading to yellow, also called persimmon), green, amber, red, blue and an opaque orange usually referred to as bittersweet. However, the vases can be found in other colors, such as peach, amethyst, pale yellow, pale aqua and even multi-colored art glass versions.
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| L. E. Smith architectural vase stylehive.com |
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| Tiffin vase retroartglass.com |
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| Viking vases retroartglass.com |
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| Fenton hobnail opalescent vase replacementslimited.com |
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| L. E. Smith aqua blue vase replacementlimited.com |
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| Fenton amber hobnail vase replacementslimited.com |
| Viking amethyst vase ebay.com |
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| L. E. Smith vase retroartglass.com |
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| L. E. Smith bittersweet vase ebay.com |
| My daughter's collection of swung vases |
Thursday, December 2, 2010
Hooray for eBay
How did we make it before eBay and Craigslist? Aside from the obvious instant gratification it gives me, a self-avowed shopaholic, nothing makes my mid-century philosophy of "out with the new, in with the old" easier to put into action than having access to sellers and buyers from around the globe.
I miss many things about the days pre-Bay, but the limitations of using the classified ads section of the local newspaper aren't on the list. Just this week I sold a Frank Lloyd Wright clock on Craigslist to a man from Dallas, which more than paid for my latest eBay purchases, a Raymor bowl from Hawaii and a great mid-century lamp from Oregon.
Here they are now, nestled all snug in their new home, just in time for the holidays:
I miss many things about the days pre-Bay, but the limitations of using the classified ads section of the local newspaper aren't on the list. Just this week I sold a Frank Lloyd Wright clock on Craigslist to a man from Dallas, which more than paid for my latest eBay purchases, a Raymor bowl from Hawaii and a great mid-century lamp from Oregon.
Here they are now, nestled all snug in their new home, just in time for the holidays:
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| The $13 Raymor dish, alongside the Fenton piece I love so much |
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| My "new" $29 lamp from eBay |
| Close-up of the lamp |
Monday, September 27, 2010
Dave Fetty gourd vase
Fenton Art Glass Company was founded in 1905 and produced prolifically all through the mid-century modern era. Nevertheless, their style during those years, for the most part, remained very traditional. Most Fenton glass, frankly, is too ruffly and cutesy for my taste, although they made a few swung vases I think are nice.
However, when Dave Fetty came to Fenton from Blenko in 1965, he began designing and making some of Fenton’s first limited edition studio pieces, and the company’s aesthetic began to change somewhat. Later, as production supervisor and trainer, he taught other Fenton glassworkers new skills.
Although I’ve never had any desire to own a large collection of Fenton glass, I saw a 12” Dave Fetty gourd vase about a year ago, and it was love at first sight. At the time, I had no idea when it was made, but I knew it would be a perfect fit in my 1950 ranch. As it turns out, it was part of a 2006 limited edition set of 150, but it would be right at home in the midst of some of the most streamlined glass designs of the Fifties. The bent neck gourd shape seems to transcend time and is as beautiful today as it was sixty years ago.
However, when Dave Fetty came to Fenton from Blenko in 1965, he began designing and making some of Fenton’s first limited edition studio pieces, and the company’s aesthetic began to change somewhat. Later, as production supervisor and trainer, he taught other Fenton glassworkers new skills.
Although I’ve never had any desire to own a large collection of Fenton glass, I saw a 12” Dave Fetty gourd vase about a year ago, and it was love at first sight. At the time, I had no idea when it was made, but I knew it would be a perfect fit in my 1950 ranch. As it turns out, it was part of a 2006 limited edition set of 150, but it would be right at home in the midst of some of the most streamlined glass designs of the Fifties. The bent neck gourd shape seems to transcend time and is as beautiful today as it was sixty years ago.
Friday, September 24, 2010
Glass masters
Beautiful glass was created by Italians Paolo Venini, Fulvio Bianconi, Dino Martens, Aldo Nason, Flavio Poli and Carlo Scarpa. Scandinavians such as Sweden’s Sven Palmqvist and Vicke Lindstrand, Denmark’s Per Lutken and Otto Brauer, as well as Finland’s Tapia Wirkkala, Timo Sarpaneva and Kaj Franck satisfied America’s love of dramatic shapes in both clear glass and vibrant colors.
Produced in the United States and perhaps somewhat less exotic to middle-class Americans than European designs were the pieces that came from Blenko, Fenton and Viking. What they lacked in mystique, they made up in accessibility, because almost every mid-century home had a Blenko decanter or carafe, Fenton milk glass or a Viking swung vase.
Most of these pieces were purchased purely for their decorative value and were affordable in almost every home, marking a departure from a time when only the wealthy could own such luxuries.
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| Fulvio Bianconi italian-glass.net |
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| Carlo Scarpa italian-glass.net |
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| Sven Palmqvist freeformsusa.com |
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| Per Lutken for Holmegaard - Flamingo, 1958 freeformsusa.com |
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| Otto Brauer for Holmegaard freeformsusa.com |
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| Vicke Lindstrand for Kosta freeformsusa.com |
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| Tapio Wirkkala for Iittala 1stdibs.com |
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| Timo Sarpaneva "Devil's Eye" for Iittala, 1951 botterweg.com |
Labels:
Aldo Nason,
Blenko,
Carlo Scarpa,
Dino Martens,
Fenton,
Flavio Poli,
Fulvio Bianconi,
Kaj Franck,
Otto Brauer,
Paolo Venini,
Per Lutken,
Sarpaneva,
Sven Palmqvist,
Tapio Wirkkala,
Vicke Lindstrand,
Viking
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