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Showing posts with label Red Wing. Show all posts
Showing posts with label Red Wing. Show all posts

Sunday, July 1, 2012

Shmoos

In 1945, Eva Zeisel began designing the Town and Country line of dinnerware for Red Wing Pottery. Zeisel liked to think that the way the abstract pieces nestled together gave them human qualities reminiscent of a mother with her children or a family of friendly creatures.

Most collectors of mid-century pottery know that the Town and Country salt and pepper shakers are affectionately called "Shmoos," but how many of you know why?


etsy.com - Modernismus

In 1948 Al Capp introduced a little animal called the Shmoo to his satirical comicstrip Li'l Abner. According to a [December 20, 1948] Life magazine article, the Shmoo is "round as a bowling ball, cute as a cross between a penguin and a Kewpie doll." The Shmoo released people from the drudgery of work, because he provided them with all their needs. The Life article went on to say that the shmoo "multiplies like the fruit fly, he dies happily and ready for the cook stove when you look hungrily at him, he lays cheesecake on a platter and gives the finest creamery butter and grade 'A' milk already sealed in a bottle. Broiled, he tastes like steak; fried, he tastes like the yummiest chicken."  A Shmoo's eyes made perfect suspender buttons, his whiskers made great toothpicks and his skin made useful materials for the manufacture of clothing and building supplies.


northernstarart.com
newsarama.co,

Shmoos became an instant phenomenon. According to research by Denis Kitchen, an expert on the subjects of cartoon art, out of print books and unusual collectibles, almost 100 licensed Shmoo products were produced by 75 different manufacturers in less than a year, some of which sold five million units each.

Shmoo products
deniskitchen.com
Shmoo ashtray
etsy.com - MaxsAttic

According to Kitchen:

There had never previously been anything like it. Comparisons to contemporary cultural phenomena are inevitable. But modern crazes are almost always due to massive marketing campaigns by large media corporations, and are generally aimed at the youth market. The Shmoo phenomenon arose immediately, spontaneously and solely from cartoonist Al Capp's daily comic strip—and it appealed widely to Americans of all ages. Forty million people read the original 1948 Shmoo story, and Capp's already considerable readership roughly doubled following the overwhelming success of the Shmoo.

So now you have the back story. The next time you hear Zeisel's salt and pepper shakers referred to as "shmoos," you'll know why.

From books.google.com (Life, Dec 20, 1948), deniskitchen.com, britishmuseum.org and essortment.com

(Thanks to blogger friend Antay for mentioning shmoos in his post yesterday, which reminded me that I had been keeping a folder full of shmoo info on the back burner for a while.)

Saturday, November 13, 2010

Mid-century mix 'n' match

I've always been a bit of a Russel Wright purist. I collect Iroquois Casual dishes in avocado yellow and ripe apricot, and I’ve never been really tempted to stray much outside those parameters, except for the occasional piece of Russel Wright American Modern in chartreuse. I don’t have much of the AM, because it breaks so much more easily than the Iroquois Casual does, but the design of some of the pieces makes it hard to resist.

The other day, though, I happened upon some pictures of Metlox Free Form paired with American Modern chartreuse, as well as Red Wing Futura Northern Lights with Franciscan Starburst and Red Wing Town and Country paired with Iroquois Impromptu Vision. The combinations were so stunning that they made me want to start buying all kinds of cool dishes and mixing ‘n’ matching like a maniac. Naturally, the first stop in my tableware stream of consciousness was Metlox Contempora teamed with American Modern granite gray and coral…or maybe Iroquois Casual in ice blue. Or how about Red Wing Smart Set with American Modern granite gray or Iroquois Casual oyster or lemon yellow? Or Paul McCobb Contempri Eclipse with....what? I could go on like this all day, because the possibilities are truly endless.

What great combos can you come up with?


Metlox Free Form with Russel Wright American Modern in chartreuse
modish.net

More Free Form and AM
modish.net

Red Wing Futura Northern Lights with Franciscan Starburst
modish.net

Red Wing Town and Country with Iroquois Impromptu Vision
modish.net

Metlox Contempora
modish.net

A set of Russel Wright Iroquois Casual in ice blue that I sold

Thursday, October 28, 2010

Eva Zeisel

Ceramics designer Eva Zeisel (1906-) began a prolific career in her late teens and continues to create innovative pieces even today. She was born in Budapest and pursued a career in painting, studying at the Royal Academy of Fine Arts, but left in search of a more craft-oriented trade. She was apprenticed to a ceramist and soon became one of the first female journeyman potters.

In 1932 Zeisel moved to Russia, drawn by the folk art and the peasant customs that still thrived there. She was forced to leave by the increasingly hostile attitudes towards foreigners. In 1938 she moved to England and married Hans Zeisel. The couple immigrated to the United States in late 1938. One of Zeisel's first commissions in America was designing giftware for the Bay Ridge Specialty Company. When she started teaching at Pratt in 1939, a position she held until 1953, she arranged an innovative apprenticeship for her students through Bay Ridge, offering them a unique opportunity to gain professional experience.

In 1942, after the MoMA's Organic Design in Home Furnishings exhibit, the Castleton Company asked the museum to find a ceramist who could design a series that would define a new era of modern china. Zeisel was chosen, and her 1946 Museum series was unveiled. She followed this line with the colorful and playful 1946 Town and Country dinnerware for Red Wing Pottery (shown in my October 26 post). Another acclaimed series was Tomorrow's Classic for Charles Seliger.

Zeisel retired from mass-produced commercial design in the mid 1960s. She kept creating her own work, however, and celebrated her 100th birthday by designing her first teapot for Chantal of Texas in 2006. Asked about her continued work, she said, “My new designs reflect, as always, my playful search for beauty.” And she adamantly refuses to say she's "still working," which she thinks implies what she's doing is unusual. According to Zeisel, she's just doing what she's always done...being a "maker of things."

From r20thcentury.com and oneartworld.com



jeremybales.blogspot.com

Museum pattern
brooklynmuseum.org

Tomorrow's Classic
midmodmom.com

Baby oil pourer
brooklynmuseum.org

Screen
jasonleedesign.com

Town and Country
bostonglobe.com

Vase
veniceclayartists.com

Duck tea set
modish.net

Chantal kettle
designed to celebrate her 100th birthday
craftcouncil.org


Update: Eva Zeisel died in 2011 at the age of 105. At the time this post was written, she was still alive.


Wednesday, October 27, 2010

Yippee Ti Yi Yo

While looking at pictures of Red Wing dinnerware, I ran across pictures of the Round-Up and Chuck Wagon patterns, which made me a little nostalgic about the cowboy craze of the 1950s and 1960s.

While 1950s cowboy décor is considered little more than kitschy today, we were dead serious about our “Westerns” back then.  In fact, families planned their week’s activities around which program was on TV on any particular night, and there were plenty to plan around.  Of course, the longest running was Gunsmoke, but there were many others.  Have Gun-Will Travel, Rawhide, The Rifleman, Maverick, Bat Masterson, Colt .45. Cheyenne and Bonanza are names that come to mind quickly.  By some tallies, there were as many as 120 western-themed series on television during those years.

We took turns being the Lone Ranger or Roy Rogers or Gene Autry when we played cowboys with our friends.  Feminism hadn’t arrived yet, so I don’t remember ever wanting to be Dale Evans.  Everyone had a felt cowboy hat and a Mattel six shooter.  If you were lucky, you had real leather boots and a red vinyl stick horse.  Missing the Sky King show on Saturday morning was unthinkable, and we could all sing "The Ballad of Paladin," Have Gun-Will Travel's theme song.

My parents had streamlined champagne-finished birch tables and a sleek turquoise sofa, but I remember friends whose parents had maple wagonwheel coffee tables and matching chairs with horse or steer heads appliquéd or embossed on them.  My parents’ living room seemed so boring by comparison!

Kitschy or not, the cowboy style Red Wing dinnerware is fetching a nice price these days.
  A few months ago, I found a huge, pristine set of Russel Wright Iroquois Casual on craigslist for $100.  When I picked it up, I saw that the woman also had a full set of Round-Up, and I hoped I might be able to talk her into an equally incredible deal on it too, but she wanted hundreds of dollars for it.  Alas, in all likelihood, I shall remain forever yee-hawless.


James Arness as Matt Dillon on Gunsmoke
fiftiesweb.com

Classic felt cowboy hat with white stitching
hatsforalloccasions.com

Mattel six shooter
squidoo.com

Wagon wheel furniture
curbly.com

Clayton Moore and Jay Silverheels as The Lone Ranger and Tonto
movie-holic.com

Wagon wheel decor
in the Roy Rogers and Dale Evans suite
Ruby Montana's Coral Sands Inn, Palm Springs, CA
coralsandspalmsprings.com

Chuck Connors as Lucas McCain in The Rifleman
valdefierro.com

Red Wing Round-Up cruets and casserole
replacementslimited.com

Red Wing Chuck Wagon (far left)
and Round-Up (second from left)
Yes, that's right.  Chuck Wagon doesn't have a chuck wagon.
redwingdinnerware.com

Tuesday, October 26, 2010

Red Wing pottery

Red Wing dinnerware production began in 1935 and became the company's staple product from the early 1940s until operations ceased in 1967.

Most Red Wing dinnerware patterns were designed by Charles Murphy, but one notable exception was the bestseller Town and Country, which was created in 1946 by noted industrial designer Eva Zeisel. It became one of Red Wing's most important commercial products upon its release in 1947 and was produced until 1956. The Museum of Modern Art is reproducing the ware today, indicating the importance of the pieces in American modern design.

Several other patterns of Red Wing produced in the 1950s and 1960s in demand among mid-century collectors. In 1955, Smart Set and Crazy Rhythm were introduced, followed by Northern Lights in 1956, Lute Song in 1960 and Desert Sun, Pompeii and Pepe in1962.

From wisconsinpottery.org and mindspring.com


Town and Country by Eva Zeisel, 1946

Town and Country by Eva Zeisel, 1946

Smart Set, 1955

Crazy Rhythm, 1956

Desert Sun, 1962

Pompeii, 1962