Flickr Widget

Showing posts with label Pierre Paulin. Show all posts
Showing posts with label Pierre Paulin. Show all posts

Monday, January 23, 2012

You look so familiar: Part 6 - Tulips

Although closely akin to last week's chairs with wing-style arms, these chairs deserve a category all their own in this final installment of my "You look so familiar" series. Perhaps two of the most iconic designs of the mid-century era are the DAX chair by Charles and Ray Eames and the Tulip chair by Eero Saarinen. I consider it less than coincidental that Charles Eames and Saarinen worked together on the Organic chair, to which these chairs bear a striking resemblance.

Interestingly, the 1950 bentwood chair by Real Dorica combines design elements of several of the chairs in this series. It has legs much like a stacking chair, plywood wing arms, and a separate back much like a molded plywood chair or a shell chair. Yet, to me, it belongs in this category because of its tulip shape.

Burke Tulip chairs were quite obviously inspired by Saarinen's Tulip chairs, and they often receive harsh derision as being blatant knock-offs, which I'm not sure is entirely fair. I hope this series of posts has succeeded in demonstrating that most designers, consciously or not, are influenced by pieces they consider beautiful. The work of venerated designers, such as Pierre Paulin's Little Tulip chair and Robin Day's Tub chair, clearly show more than their creators' passing familiarity with the work of those who came before them.

Even if  "new" designs are not near-replicas of earlier designs...although some most certainly are...there can be no doubt that many designers have lifted an arm design here, a leg design there, sometimes creating furniture that is little more than a composite of all their favorite pieces.

Charles and Ray Eames DAX - 1948
hermanmiller.com
Bentwood chair by Real Dorica - c. 1950
1stdibs.com
Eero Saarinen Tulip chair - 1957
moma.org
Burke Tulip chair - 1960s
vandm.com
Pierre Paulin Little Tulip chair - 1965
bonluxat.com
Robin Day Tub chair - 1967
independent.co.uk

Tuesday, January 3, 2012

You look so familiar: Part 4 - Shells

The wrap-around back, the concave seat...whether they're made of molded plywood, metal or upholstered with wood or metal frames, these chairs all seem to take their cue from the Børge Mogensen shell chair designed in 1949 or the Hans Wegner chair designed in 1952. The legs may vary widely, and there may or may not be arms, but the contours remain quite similar.

Just as these shell chair evolved from the design of earlier molded plywood chairs, so will some of these shell chairs inspire design elements in other styles.

Børge Mogensen shell chair, 1949
danish-furniture.com
Hans Wegner shell chair - 1952
craigvandenbrulle.com
Ib Kofod-Larsen shell chair - 1950s
1stdibs.com
Maurizio Tempestini for Salterini - 1950s
trocadero.com
Hans Olsen - 1957
visavu.nl
Pierre Paulin for Artifort - 1959
edition20.com

Friday, December 9, 2011

Pierre Paulin

Pierre Paulin (1927-2009) was born in Paris and studied at the Ecole Camondo, planning to become a sculptor in stone. However, an accident made it impossible for him to work in that medium, so he turned to design.

His work caught the attention of Thonet and Meubles T.V. in the early 1950s, but most of his best known designs were for Artifort between 1958 and 1970. Although he designed wall-mounted desks, benches and coffee tables, seating was Paulin's focus almost from the beginning of his career, as he viewed seating as a form of sculpture and appreciated the understanding of the human body required to design chairs and sofas in a way that made them attractive to people.

Many of Paulin's most successful pieces were referred to only by production numbers, although others, such as the Ribbon, Orange Slice, Tongue, Butterfly, Pumpkin and Mushroom, were given names. Although his early work was highly influenced by the likes of Charles Eames and Florence Knoll, his later whimsical designs broke new ground. Working for Artifort, he began to experiment with new shapes and materials. Many of his tubular steel and foam chairs and sofas had no visible frame. The scale of his furniture became much larger, and he began to use upholstery fabric in bright colors. Because of the sinuous shape of many of his designs, he began to work with textile designers such as American Jack Lenor Larson to come up with fabrics that would stretch to fit his furniture.

In the 1970s and 1980s, Paulin received several important commissions from the French government. He re-designed a wing of the Louvre and designed the private apartment of President Georges Pompidou, as well as the Presidential Office of Francois Mitterand. Paulin also designed household appliances and won a national grand prize for his design of a travel iron.

In recent years, Artifort and Ligne Roset have reintroduced Paulin's furniture into production, a testament to its continued relevance.

From wallpaper.com, designclassics.com and business.highbeam.com


Butterfly chair
philipthomas.1stdibs.com

ABCD sofa
1stdibs.com

Tongue chair
1stdibs.com

Orange Slice chair
michaelsloft.com

Ribbon chair and ottoman
1stdibs.com

Amphys sofa
accessorator.com

Mushroom chair and ottoman
1stdibs.com

Pumpkin sofa
designconnected.com