Mid2Mod

Saturday, March 5, 2016

What a difference a mailbox makes!

Our old mailbox was a constant source of irritation to me. It annoyed me to look at it, but it annoyed me even more to get mail out of it.

First of all, the style was too traditional. It was one of the many "upgrades" which had not even a nodding acquaintance with modern design that the previous owners made to our 1964 home.

More than appearance alone, it offended me because it was hung too high. I'm only 5'3", and getting mail out of it required me to stand on my tiptoes and contort my body to reach inside.

Here is the culprit that made my life miserable for a year. It was officially (and quite literally) kicked to the curb shortly after this photo was taken.

All it took was a few minutes with a level and a power drill to make my life manageable again. Now we have a new modern mailbox that opens with a key for easy access. Serenity has returned. Why do I procrastinate when such a simple solution is so readily available?

Wednesday, March 2, 2016

Billy Baldwin

William "Billy" Baldwin, Jr. (1903-1983) is considered one of the foremost American decorators of the 20th Century. He was born in Baltimore, briefly studied architecture at Princeton, and then returned home to work in his father's insurance agency. Unhappy there, he went to work for the Baltimore decorating firms C.J. Benson & Co. and H. Chambers Co. before catching the eye of the top decorator of the day, Ruby Ross Wood.

In 1935, Wood offered Baldwin thirty-five dollars a week to come to New York and join her firm, an offer he accepted immediately. From Wood, he learned what he said were the guiding principles of his profession, ''the importance of the personal, of the comfortable, and of the new." he said. After Wood's death in 1950, he ran her firm for two years, before opening Baldwin & Martin, Inc. with his former assistant Edward Martin.

Baldwin's signature style was a mix of modernism and classicism. He believed in simplicity and a sleek, polished aesthetic. He never insisted on discarding all of a client's belongings, because he felt that working with some of their things gave the home a comfortable feel and retained the owner's personality.

Baldwin's signature pieces included built-in bookcases, brass étagères, white slipper chairs, Parsons tables, rattan and bamboo, and bold wall colors.

During the course of his career, Baldwin became known as the "dean of American interior decorators." (He detested the term "interior designer.") He counted among his clients the likes of Jacqueline Kennedy Onassis, Diana Vreeland, Greta Garbo, Paul & Bunny Mellon, Brooke Astor, and Cole Porter.

Baldwin retired in 1973 and turned the business over to his protégé Arthur E. Smith, but his influence is as strong today as it was at the height of his career.

From architecturaldigest.com, circawho.com, wsj.com, nytimes.com, and cjdellatore.com