First called "Abstract Classicist" by art critic Jules Langsner and art professor Peter Selz when first exhibited in 1959, this style of painting soon became known as Hard-Edge for its abrupt transitions between color areas, and it looked right at home in the California houses designed by Richard Neutra and other well-known architects of the day. These paintings were considered "the essence of cool," and were on the walls of the most fashionable people of the mid-century era.
Popular Hard-Edge painters of the 1950s and 1960s were John McLaughlin, Lorser Feitelson and his wife Helen Lundeberg, Karl Benjamin and Frederick Hammersly. Imagine Miles Davis or Dave Brubeck tunes wafting through the rooms where these or similar paintings hung. You can almost hear the sound of ice in the cocktail glasses too.
From berkeleydailyplanet.com
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Uploaded by 8BallsEmperor on Oct 11, 2008
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Untitled, c. 1946-1949, by John McLaughlin
crockerartmuseum.org |
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Untitled, 1952, by John McLaughlin
nytimes.com |
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Untitled, 1964, by Lorser Feitelson
abitabout.com |
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Black Pillars, 1957, by Karl Benjamin
blantonmuseum.org |
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Up Within, c. 1957-1958, by Frederick Hammersly
guardian.co.uk |
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Lesson One, 1965, by Frederick Hammersly
guardian.co.uk |