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Showing posts with label diamond chair. Show all posts
Showing posts with label diamond chair. Show all posts

Sunday, January 9, 2011

Harry Bertoia

Harry Bertoia (1915-1978) was born in Italy. In 1930, he traveled to Detroit to visit his brother. Instead of returning home as he had planned, he remained in Michigan and enrolled in a technical high school for artistically gifted students. Eventually, he earned a scholarship to the Cranbrook Academy to study drawing and painting. After two years at Cranbrook, Bertoia was asked to direct the metal craft department and reorganize the metal shop, soon making metalcraft a popular program. Upon graduating in 1939, Eliel Saarinen, then director of the academy, invited Bertoia to join the faculty. Bertoia remained at Cranbrook until 1943.

Bertoia then moved to California to work with Charles and Ray Eames at the Evans Products Company, where Charles Eames worked as Director of Research and Development. There, they experimented with molded plywood technology in the service of the war effort. After Eames began to implement Bertoia's innovations without crediting him, Bertoia left.

In 1950, Bertoia received an invitation from Hans and Florence Knoll to work as a designer for their well-known firm. Bertoia and his family relocated to Pennsylvania. By 1952, Bertoia had designed the famous "Diamond" seating collection, which included a lounge chair, stool, side chair, and a small chair for children. Constructed of industrial metal wire, the chair is remarkably strong despite its delicate appearance. Prized equally as a work of sculpture, it is still in production today and remains an icon of 20th century design.

Until his death in 1978, Bertoia was mainly active as a sculptor. Many of his sculptures are designed to move in the wind, some even to create sounds. He completed over 50 public sculptures in his lifetime, most notably for the chapel at the Massachusetts Institute of Technology and Dulles International Airport in Washington, DC. He was awarded the 1955 Fine Arts Medal, the 1956 AIA Craftsmanship Award, the 1968 Critics Award, and the 1973 AIA Gold Medal.

From lostcityarts.com and jonathanboos.com


Large diamond lounge chairs
1stdibs.com

Upholstered diamond chairs
authenticite.fr


Slat bench
1stdibs.com

Bar stools
1stdibs.com
Dining chairs
1stdibs.com

Dandelion sculpture
1stdibs.com

Wednesday, January 5, 2011

And the winner of this round of "Name That Designer" is...

A few weeks ago, I posted a picture of a chair I'd bought in Austin and asked if any of you had information or ideas about it. Several of you said you were as clueless as I was.

My friend "Mid-Century Joe" was here recently delivering my latest purchase, and he casually remarked that he loved "that style of chair," offhandedly pointing in the direction of my Mystery Chair. I told him I'd been trying for weeks to find out something about it, so he shared his thoughts with me.

While we both agreed the chair is definitely vintage, he's pretty sure it's one of many "copycat pieces" mass-produced by small furniture companies in the 50s and 60s. In his opinion, the straight, sharply slanted arms (though not the button back) were inspired by a couple of Gio Ponti designs...his Diamond chair and another chair he designed for the Parco dei Principi in Rome.

After looking at pictures of the two chairs, I think he's very likely right on all counts. My chair may be a little  "in the manner of" wannabe that I got cheap, but I still love it, and I'm really happy that I finally know something about the design inspiration.  Joe wins this round of the game!

My little copycat chair
Gio Ponti chair for Parco dei Principi in Rome
spinkfurniture.co.uk
Gio Ponti Diamond chairs
phillipsdupury.com