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Showing posts with label LaGardo Tackett. Show all posts
Showing posts with label LaGardo Tackett. Show all posts

Saturday, November 8, 2014

Eggheads

While I was on my recent hiatus, I reposted about LaGardo Tackett. His Egghead designs always generate interest, so I promised to devote a separate post to them.

These humorous containers entered the market in 1958. They were produced by Schmid International in 8" and 12" sizes and were distributed by Richard Morgenthau of Raymor. Eggheads were originally sold through ads in the back of Playboy and Esquire magazines. Although ads said they could be used to hold pretzels or mad money, they were generally used bedside as condom holders...or as stash holders.

From connecticutexplored.org



Egghead ad
esotericsurvey.com

alamodern.com

ebay.com - vernandvera

igavelauctions.com

modish.net

Thursday, October 16, 2014

LaGardo Tackett

I started this blog September 6, 2010. Some of you have been readers since the beginning. Others have come on board later. From now through the end of the month, I'm going to be on a short blogging break. Not only am I in the middle of a big volunteer project, I'm also trying to help get the new store open, so I've decided share some of my favorite posts from the past four years. I'll throw in a few new photos for you longtime supporters who read the posts when they were first published.


(First posted 7/20/2012)
LaGardo Tackett (1911-1984) was born in Henderson, Kentucky. His father was a grocer, and later in life Tackett, who preferred to be called Tack, explained that his unusual first name came off a can of tomatoes from his father's store.

As a young man, he entered Indiana University to study geology but left school after two years and married Virginia Lee Roth, whom he had met there. In 1937 they moved to New York, and Tackett got a job with the department store giant The May Company. By the early 1940s, he became the interior promotion director, which necessitated a move to the company headquarters in Los Angeles.

He was drafted during World War II but returned home in 1945 and used the GI Bill to take formal pottery classes. He later taught at the California School of Art, including a course he taught at his own kiln in Pasadena. He mentored several of his students, including John Follis and Rex Goode. His work, along with that of Follis and Goode, as well as Malcolm Leland and David Cressey, was discovered by entrepreneurs Max and Rita Lawrence, who started Architectural Pottery. The pieces designed for this company became favorites of the architects who designed Case Study houses. Architectural Pottery is still available today through VesseL USA.

Tackett Associates was started in 1953, and Tack and Virginia began a large-scale pottery business. For a brief time in 1953, Kenji Fujita joined the company. Later the Tacketts became friends with Paul Schmid of Schmid International, a porcelain manufacturing company based in Boston. As a result of this friendship, in 1956 the Tackett family moved to Kyoto, Japan. During the two years they were there, Tackett moved his focus from hands-on production to design. The Tacketts returned to the United States in 1958 and started a design firm but moved back to Japan in 1960, this time to Tokyo.

His earliest foodware design was the chocolate brown Rockingham line with accompanying fish motif plates. He soon moved from terracotta to porcelain, for which he had a special respect. He created a number of  sets for espresso and coffee, as well as liquor decanters. His Sandpiper cruets took the form of stylized birds. He designed canisters in the form of globes and cylinders, many with a characteristic toggle handle. Many of his designs for Freeman-Lederman were white glazed spirit bottles, often with a large red dot and whimsical script. His anthropomorphic Black Russian was a decanter created to promote Kahlua. His humorous Egghead containers were sold in the back of Playboy and Esquire magazine as bedside condom holders; they stand 8-12" tall and are sometimes referred to as "stash holders." One of his last collections was an ice cream and candy service in white with brightly colored vertical stripes.

In 1961 Tackett and his family returned from Japan and settled in Connecticut. He still had a business arrangement with Schmid International and commuted to Boston for meetings. He also became active arranging programs at the Brookfield Craft Center, which had been founded in 1954 to preserve and encourage fine craftsmanship in Connecticut. In the late 1970s, Tackett suffered a stroke, and his wife Virginia was diagnosed with Alzheimer's.

Biographical information about Tackett is difficult to find, but Dr. F. Peter Swanson wrote a fascinating article about his life that I used for this post. If you want to know more, I encourage you to read his fascinating account.

From connecticutexplored.org



LaGardo "Tack" Tackett and his wife Virginia
research-arm.blogspot.com

Architectural Pottery planter
wright20.com

Architectural Pottery totems
dwell.com

Architectural Pottery planters
2modern.com

My Architectural Pottery planter
houzz.com

Lustreware pitcher by Rockingham
etsy.com - Owliceandstone

Espresso set for Schmid International
etsy.com - Modernismus

Fish plate made with Kenji Fujita
eastofborneo.org

Sandpiper cruet with Kenji Fujita
etsy.com - modernform

Cookie jar
modcats.com

Egghead condom holder
originally sold through Playboy and Esquire
1stdibs.com

Black Russian Kahlua decenter
etsy.com - bergenhouse

Tackett marking
fleasyads.com

Friday, January 18, 2013

Sometimes you just can't let go.

My SIL is crafty. I don't mean DIY crafty. I mean deviously crafty. With a capital D.

A week or so ago, he received an Architectural Pottery reissue on consignment. VesseL USA Inc. is licensed to produce the designs of LaGardo Tackett, John Follis, Malcolm Leland, David Cressey and Raul Anqulo Coronel in matte and gloss glazed ceramic, unglazed ceramic (bisque) and fiberglass. The pieces are made to the original designer specifications. The one he got is an IN-2 model in white with a black metal stand.

He brought the piece home with him, and he let it sit right in front of me for days, knowing I'd fall in love with it. He's aware that I'm shamelessly covetous of the originals owned by my blogging friends, and since AP is not as plentiful here in Texas as it is in California, I'm sure he thought I'd grab this one immediately. When I didn't take the bait, he finally loaded it up and put it in the store. I stayed strong till yesterday, when he posted it on Facebook. The minute I saw it go up, I called him and said, "Dammit, bring the planter back home. I'll write you a check for it."

He knew I wouldn't be able to let him sell the thing. I bet his hand was poised over the phone within 5 seconds of posting the picture. He knows me entirely too well.


Architectural Pottery planter and stand
by VesseL USA Inc.

Friday, July 20, 2012

LaGardo Tackett

LaGardo Tackett (1911-1984) was born in Henderson, Kentucky. His father was a grocer, and later in life Tackett, who preferred to be called Tack, explained that his unusual first name came off a can of tomatoes from his father's store.

As a young man, he entered Indiana University to study geology but left school after two years and married Virginia Lee Roth, whom he had met there. In 1937 they moved to New York, and Tackett got a job with the department store giant The May Company. By the early 1940s, he became the interior promotion director, which necessitated a move to the company headquarters in Los Angeles.

He was drafted during World War II but returned home in 1945 and used the GI Bill to take formal pottery classes. He later taught at the California School of Art, including a course he taught at his own kiln in Pasadena. He mentored several of his students, including John Follis and Rex Goode. His work, along with that of Follis and Goode, as well as Malcolm Leland and David Cressey, was discovered by entrepreneurs Max and Rita Lawrence, who started Architectural Pottery. The pieces designed for this company became favorites of the architects who designed Case Study houses. Architectural Pottery is still available today through VesseL USA.

Tackett Associates was started in 1953, and Tack and Virginia began a large-scale pottery business. For a brief time in 1953, Kenji Fujita joined the company. Later the Tacketts became friends with Paul Schmid of Schmid International, a porcelain manufacturing company based in Boston. As a result of this friendship, in 1956 the Tackett family moved to Kyoto, Japan. During the two years they were there, Tackett moved his focus from hands-on production to design. The Tacketts returned to the United States in 1958 and started a design firm but moved back to Japan in 1960, this time to Tokyo.

His earliest foodware design was the chocolate brown Rockingham line with accompanying fish motif plates. He soon moved from terracotta to porcelain, for which he had a special respect. He created a number of  sets for espresso and coffee, as well as liquor decanters. His Sandpiper cruets took the form of stylized birds. He designed canisters in the form of globes and cylinders, many with a characteristic toggle handle. Many of his designs for Freeman-Lederman were white glazed spirit bottles, often with a large red dot and whimsical script. His anthropomorphic Black Russian was a decanter created to promote Kahlua. His humorous Egghead containers were sold in the back of Playboy and Esquire magazine as bedside condom holders; they stand about 9" tall and are sometimes referred to as "stash holders." One of his last collections was an ice cream and candy service in white with brightly colored vertical stripes.

In 1961 Tackett and his family returned from Japan and settled in Connecticut. He still had a business arrangement with Schmid International and commuted to Boston for meetings. He also became active arranging programs at the Brookfield Craft Center, which had been founded in 1954 to preserve and encourage fine craftsmanship in Connecticut. In the late 1970s, Tackett suffered a stroke, and his wife Virginia was diagnosed with Alzheimer's.

Biographical information about Tackett is difficult to find, but Dr. F. Peter Swanson wrote a fascinating article about his life that I used for this post. If you want to know more, I encourage you to read his fascinating account.

From connecticutexplored.org


LaGardo "Tack" Tackett and his wife Virginia
research-arm.blogspot.com

Architectural Pottery planter
wright20.com

Lustreware pitcher by Rockingham
etsy.com - Owliceandstone

Espresso set for Schmid International
etsy.com - Modernismus

Fish plate made with Kenji Fujita
eastofborneo.org

Bird decanter with Kenji Fujita
etsy.com - modernform

Cookie jar
modcats.com

Egghead condom holder
originally sold through Playboy and Esquire
1stdibs.com

Black Russian Kahlua decenter
etsy.com - bergenhouse
Tackett marking
fleasyads.com

Tuesday, August 23, 2011

Architectural Pottery

Max Lawrence (1911-2010) and his wife Rita Milaw Lawrence (1919-1999) founded Architectural Pottery in 1950 to produce and market the pottery designed by LaGardo Tackett, a professor at the California School of Art, and his students John Follis, Rex Goode and others.

Several pieces from the company's first catalogue were included the 1951 Good Design exhibit at New York's Museum of Modern Art. Architectural Pottery featured graceful, geometrically-shaped vessels that were usually unornamented and quite large. Typical shapes were cylinders, cones, bullets, gourds and totems.

Architects such as John Lautner and Richard Neutra ordered pieces from Architectural Pottery for their modernist houses, and well-known mid-century photographer Julius Shulman featured their products in almost every picture he took.

"Their role in establishing the unique look of mid-century California design can't be overstated. They were key," Wendy Kaplan, curator and head of decorative art and design at the Los Angeles County Museum of Art, said of the Lawrences.

A fire at the Manhattan Beach manufacturing plant led the Lawrences to shut down the business in 1985, but their legacy has endured. "Whenever we see a white cylinder planted with a tree or flowers inside or outside an office building or a bank, and now quite often at gasoline stations, all of that is the heritage of Architectural Pottery," said Bill Stern, executive director of the Los Angeles-based Museum of California Design.

From latimes.com and oac.cdlib.org


architecturalpottery.com

Style FS by John Follis, 1950s
treadwaygallery.com

Rex Goode and John Follis, 1950s
treadwaygallery.com

L-20 by Malcolm Leland, 1950s
wright20.com

T-102 by LaGardo Tackett, 1950s
worthpoint.com

G-99 by Goode and Follis, 1955
wright20.com

FH-507 by Goode and Follis, 1959
wright20.com

IN-3 by Tackett, 1960
wright20.com

SC-04 by Tackett, 1961
wright20.com

Marilyn Kay Austin, 1964
wright20.com

Totems
architecturalpottery.com