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Showing posts with label Robin Day. Show all posts
Showing posts with label Robin Day. Show all posts

Monday, January 23, 2012

You look so familiar: Part 6 - Tulips

Although closely akin to last week's chairs with wing-style arms, these chairs deserve a category all their own in this final installment of my "You look so familiar" series. Perhaps two of the most iconic designs of the mid-century era are the DAX chair by Charles and Ray Eames and the Tulip chair by Eero Saarinen. I consider it less than coincidental that Charles Eames and Saarinen worked together on the Organic chair, to which these chairs bear a striking resemblance.

Interestingly, the 1950 bentwood chair by Real Dorica combines design elements of several of the chairs in this series. It has legs much like a stacking chair, plywood wing arms, and a separate back much like a molded plywood chair or a shell chair. Yet, to me, it belongs in this category because of its tulip shape.

Burke Tulip chairs were quite obviously inspired by Saarinen's Tulip chairs, and they often receive harsh derision as being blatant knock-offs, which I'm not sure is entirely fair. I hope this series of posts has succeeded in demonstrating that most designers, consciously or not, are influenced by pieces they consider beautiful. The work of venerated designers, such as Pierre Paulin's Little Tulip chair and Robin Day's Tub chair, clearly show more than their creators' passing familiarity with the work of those who came before them.

Even if  "new" designs are not near-replicas of earlier designs...although some most certainly are...there can be no doubt that many designers have lifted an arm design here, a leg design there, sometimes creating furniture that is little more than a composite of all their favorite pieces.

Charles and Ray Eames DAX - 1948
hermanmiller.com
Bentwood chair by Real Dorica - c. 1950
1stdibs.com
Eero Saarinen Tulip chair - 1957
moma.org
Burke Tulip chair - 1960s
vandm.com
Pierre Paulin Little Tulip chair - 1965
bonluxat.com
Robin Day Tub chair - 1967
independent.co.uk

Monday, January 16, 2012

You look so familiar: Part 5 - Wings

Wings...from the subtle to the sublime, they make perfect ergonomic sense. They make perfect design sense too, because chairs in this style are considered some of the most lovely ever produced.

The previous installment of this series on the topic of shell chairs included a 1957 crossover piece by Hans Olsen that had small wing-style arms, but the design element appeared much earlier than that. Eero Saarinen and Charles Eames designed their Organic Chair in the late 1940s, and Eames capitalized on the design later with his DAX chair, which will be included in yet another category.

Harry Bertoia's svelte Bird Chair made subtle use of the feature, while Robin Day's spectacular Royal Festival Hall chair took modern seating to the brink of flight.

Charles Eames and Eero Saarinen Organic chair - 1940
loc.gov

Eero Saarinen Womb chair - 1948
treadwaygallery.com

Jupp Ernst chair by Helmut Lortz - 1950s
grainedit.com

Thonet - 1950s
1stdibs.com

Robin Day Royal Festival Hall chair - 1951
theargus.co.uk

Harry Bertoia Bird chair - 1952
knoll.com

Tuesday, December 27, 2011

You look so familiar: Part 3 - Stacking

Ah, the ubiquitous stacking chair. It seems that almost everyone has dabbled a bit in this design over the years, and the wheel is still being reinvented, so to speak, as evidenced by Knoll's 1999 Cirene by Vico Magistretti, the 2000 Gigi by Marco Maran and  2004 chair by Ross Lovegrove. 

A quick Google of "stacking chairs" will show just how many designers and manufacturers have come out with their versions, yet very few, if any, significant changes or improvements have been made over the last 6 1/2 decades. Enough already!


The Stacking Chair

Charles and Ray Eames - 1948
treadwaygallery.com

Ray Komai - 1949
1stdibs.com

Georg Leowald - 1955
architonic.com

Arne Jacobsen Chair 3107 - 1955
designmuseum.org

Robin Day for Hille - 1963
telegraph.co.uk

Cirene chair by Vico Magistretti - 1999
knoll.com

Gigi chair by Marco Maran - 2000
vastudc.com

Ross Lovegrove for Knoll - 2004
knoll.com

Wednesday, December 14, 2011

You look so familiar: Part 1 - Tall legs, wraparound arms

Ever notice how designers have freely "borrowed" design elements from each other over the decades? I'm not talking about fly-by-night manufacturers or hack designers who generally get our upturned noses. I'm talking about well-known designers with impeccable reputations whom most of us revere.

I decided to examine lookalike chairs, and what I found most interesting was how one designer borrowed a seat idea. Then another copied a back or a pedestal or an arm. Before long, one chair design morphed into the next, so that it was hard to draw clear lines between categories...and sometimes between designers.

For the next few weeks, I'll feature some of the distinct lookalikes, as well as the specific design elements that have shown up frequently over the years. It makes me wonder: How many ways are there to design a chair, really? Why do some people dismiss Burke tulip chairs as mere knockoffs while celebrating the designs of Robin Day (one of my favorites), such as the last chair below that bears just as strong a resemblance to Wegner's The Chair?  Is there anything new under the sun, when you get right down to it? And are we designer snobs?

Note: For a more in-depth look at the topic of actual knockoffs/reproductions from the point of view of a collector, from a manufacturer and from the heir of a designer, you can read a three-part post I did about the article "Is It Real?" from Jet Set Modern in February and March of this year.



Tall, Skinny Legs and Wraparound Arms

Hans Wegner The Chair - 1946
danish-furniture.com

Ib Kofod-Larsen - 1956
glo-1stdibs.com

Neils O. Moller - 1958
treadwaygallery.com

Robin Day for Hille - 1960s
twentiethcenturyretro.com

Saturday, June 25, 2011

Update on my update: Robin and Lucienne Day

A blog friend across the Atlantic actually got to attend the Robin and Lucienne Day Pallant House Gallery exhibit I posted about recently. I am simultaneously green with envy and thrilled that someone has reported back to us about seeing it firsthand. Check out the photos on the chairsmith blog.

Saturday, May 28, 2011

Update: Lucienne and Robin Day

Last September I posted about Lucienne Day, and in November I posted about her husband, Robin Day. The celebrated British couple is often compared with their American counterparts, Charles and Ray Eames. Lucienne's textile design and Robin's furniture design pioneered the modern aesthetic in post-war England. Both Lucienne and Robin Day died last year.

Thanks to my daughter's friend Rene's blog, I found out that the work of Lucienne and Robin Day will be exhibited until the end of June at the Pallant House Gallery in Chichester, West Sussex. Although I don't have the money to hop a plane and attend the show myself, maybe some of you who live across the Atlantic will be able to go and tell us about it afterwards.

If, like me, you can't make the trip, you may have to be content with this excellent slideshow on the BBC site. Not only does it contain stunning images of the Days' work with narration by Simon Martin, the head of curatorial services at the gallery, but it also features music by Duke Ellington and Pink Floyd, Sir Adrian Boult conducting Brahms and The Byrds. It is a treat for the eyes and ears.

Here are a few more of my favorite designs by the Days, some of which you'll see in the slideshow.

interiordesign.net
Lapis by Lucienne Day
dwell.com
Herb Antony by Lucienne Day
designmuseum.org
Parkland by Lucienne Day
dwell.com
Springboard by Lucienne Day
claudiacreated.com
Royal Festival Hall armchair by Robin Day
1stdibs.com
Fauteuil chair by Robin Day
galerieavril.com
Hillestack chair by Robin Day
architonic.com

Update to the update (6/25/11): A fellow blogger across the Atlantic did get to see the exhibit and posted pictures. I'm at the same time green with envy and appreciative of all the wonderful images in the post at chairsmith.

Monday, November 22, 2010

Robin Day (1915-2010)

Robin Day, British furniture designer and husband of textile designer Lucienne Day, died November 9 at age 95.

After World War II, Day turned his hand to exhibition and poster design. In 1948 he and Clive Latimer won first prize in the storage section of the International Competition for Low-Cost Furniture organized by MoMA. The cabinets in their flexible, multi-functional storage system were fabricated from a tube of molded plywood cut into sections--a radical innovation for the time.
Day's success brought him to the attention of a British manufacturer, Hille, which had specialized in period furniture, but was eager to modernize. Seizing this opportunity, he designed a series of simple, functional chairs, tables, desks and storage units that harnessed the latest wood and metalworking techniques. Many of his designs were low-cost, such as the beech-framed 1950 Hillestak chair with its molded plywood seat. Whereas pre-war furniture was solid and bulky, Day’s designs were pared down and seemed to float above the ground. “What one needs in today’s small rooms is to see over and under one’s furniture,” he told a journalist in 1955.

Day’s inventive response to technology reflected the positive, forward-looking mood of the early post-war era, with his sparing use of materials and economical approach to construction. From the outset Robin Day was a deeply moral and highly principled designer, who was not interested in making a design statement, but in solving practical problems in the most rigorous, efficient and cost-effective way. “A good design must fulfill its purpose well, be soundly constructed, and should express in its design this purpose and construction,” he stated in 1962.

The commission to design furniture for the Royal Festival Hall marked a turning point in Day’s career. The project included restaurant and foyer furniture, auditorium seating and orchestra chairs, each with specific functional demands. His talents were also evident in the two room settings he designed for the House and Gardens Pavilion at the Festival: one low-cost, one high-cost, both equipped with his latest storage furniture and chairs.

Robin Day married Lucienne Conradi in 1942. It was their passion for design that drew the couple together and formed the basis of their personal and professional relationship. Acting as mutual catalysts, they spurred each other on to realize their ambitions and to produce their most original work.  Lucienne Day died in January of this year at age 93.

From designmuseum.org

Polypropylene stack chair, 1963
designmuseum.org

Hillestak chair, 1950
designmuseum.org

Royal Festival Hall lounge chair, 1951
twentyfirstcenturyretro.com

Robin and Lucienne Day's living room
designmuseum.org


arts.brighton.ac.uk

Tuesday, September 14, 2010

Lucienne Day

Lucienne Day (1917-2010) was a British textile designer whose vibrant and innovative work changed the industry.

Her designs, which were used for fabric, carpet, wallpaper and ceramics, were inspired by the modern art of Wassily Kandinsky, Joan Miró and Alexander Calder, as well as by geometric forms and nature. Her Calyx pattern was launched at the 1951 Festival of Britain and helped launch her career. It was given the International Design Award of the American Institute of Decorators.

Day is known for her ability to combine the traditional British love of nature...as seen in the works of William Morris or John Ruskin, for example...and express that in abstract design.

When interest in 20th century design reemerged in the 1990s, she and her husband of almost 70 years Robin Day, the famed furniture designer, became mentors to young designers.

In Jonathan Glancey's farewell to Lucienne Day at the time of her death in January of this year, he described the woman and her work:

Lucienne had a wonderful way of looking severe, and then breaking into a warm smile and happy conversation. I suppose her best fabrics – and that's pretty much all of them – are a bit like that: disciplined, intelligent, diligently researched, but also warm, playful, colourful and delightful too.

From theguardian.com and classictextiles.com


Calyx
dioramarama.com

Dandelion
patchworkunderground.com

Helix
designmuseum.com

Apollo
dwell.com

Herb Anthony
artessen.com