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Showing posts with label Eva Zeisel. Show all posts
Showing posts with label Eva Zeisel. Show all posts

Friday, October 23, 2015

Constantin Brancusi

Constantin Brancusi (1876-1957) was a Romanian-born artist who is considered the pioneer of modern abstract sculpture. In his native country, he studied at the Craiova School of Arts and Crafts, as well as the Bucharest School of Fine Arts. Then in 1903 he set out on foot for Paris, where he studied at the Ecole des Beaux-Arts from 1905-1907.

He was influenced by Rodin, but in 1907 he was commissioned to create a funeral monument for a rich landowner. The result was The Prayer, a work which marked the beginning of his process of drastically simplifying his figures almost to the point of abstraction.

He was an avid wood carver, often executing his works in wood before using marble or bronze. Many of his wood carvings reflect his interest in African art and Romanian folk art.

In 1913, his works at the Armory Show in New York attracted international attention, resulting in the creation of loyal collectors around the globe, even though critics worldwide attacked his work as too radical.

In 1920, his sculpture entitled Princess X created a scandal. The police forced him to remove the work from the gallery, because they contended it led to phallic interpretation. In 1926, his Bird in Flight was confiscated by U. S. Customs on the way to a showing at the Brummer Gallery in New York. It was so abstract that officials did not believe it was art. He was accused of attempting to introduce an industrial part clandestinely into the United States.  He sued U. S. Customs and won a two-year court battle in 1928.

Brancusi died in Paris in 1957. He bequeathed his studio and its contents to the Musée National d'Art Moderne in Paris. His influence can clearly be seen in the works of mid-century pieces such as the forms in Eva Zeisel's Town and Country collection, the shapes of Architectural Pottery.

From tate.org.uk and wonderful-romania.com


The Prayer
seckim.com

Princess X
theimagist.com

Une Muse
christies.com

Bird in Space
metmuseum.org

Fish
tate.org.uk

Sleeping Muse
beiny.com

The Kiss
actingoutpolitics.com

Endless Column
wonderful.romania.com

Table of Silence
panoramio.com

the189.com

Wednesday, October 29, 2014

Eva Zeisel

I started this blog September 6, 2010. Some of you have been readers since the beginning. Others have come on board later. From now through the end of the month, I'm going to be on a short blogging break. Not only am I in the middle of a big volunteer project, I'm also trying to help get the new store open, so I've decided share some of my favorite posts from the past four years. I'll throw in a few new photos for you longtime supporters who read the posts when they were first published.


(First posted 10/28/2010)

Ceramics designer Eva Zeisel (1906-) began a prolific career in her late teens and continues to create innovative pieces even today. She was born in Budapest and pursued a career in painting, studying at the Royal Academy of Fine Arts, but left in search of a more craft-oriented trade. She was apprenticed to a ceramist and soon became one of the first female journeyman potters.

In 1932 Zeisel moved to Russia, drawn by the folk art and the peasant customs that still thrived there. She was forced to leave by the increasingly hostile attitudes towards foreigners. In 1938 she moved to England and married Hans Zeisel. The couple immigrated to the United States in late 1938. One of Zeisel's first commissions in America was designing giftware for the Bay Ridge Specialty Company. When she started teaching at Pratt in 1939, a position she held until 1953, she arranged an innovative apprenticeship for her students through Bay Ridge, offering them a unique opportunity to gain professional experience.

In 1942, after the MoMA's Organic Design in Home Furnishings exhibit, the Castleton Company asked the museum to find a ceramist who could design a series that would define a new era of modern china. Zeisel was chosen, and her 1946 Museum series was unveiled. She followed this line with the colorful and playful 1946 Town and Country dinnerware for Red Wing Pottery (shown in my October 26 post). Another acclaimed series was Tomorrow's Classic for Charles Seliger.

Zeisel retired from mass-produced commercial design in the mid 1960s. She kept creating her own work, however, and celebrated her 100th birthday by designing her first teapot for Chantal of Texas in 2006. Asked about her continued work, she said, “My new designs reflect, as always, my playful search for beauty.” And she adamantly refuses to say she's "still working," which she thinks implies what she's doing is unusual. According to Zeisel, she's just doing what she's always done...being a "maker of things."

From r20thcentury.com and oneartworld.com



jeremybales.blogspot.com

Museum pattern
brooklynmuseum.org

Hallcraft pitcher
srandsgallery.com

Tomorrow's Classic
midmodmom.com

Baby oil pourer
brooklynmuseum.org

Town and Country cruet
lacma.org

Screen
jasonleedesign.com

Town and Country
bostonglobe.com

Vase
veniceclayartists.com

Duck tea set
modish.net

Chantal kettle
designed to celebrate her 100th birthday
craftcouncil.org

wizzley.com

designobserver.com


Update: Eva Zeisel died in 2011 at the age of 105. At the time this post was written, she was still alive.


Saturday, May 24, 2014

Eva Zeisel furniture

When someone says Eva Zeisel's name, most people think of her beautiful china designs, but did you know she designed furniture too? Zeisel, who died in 2011 at the age of 105, had an incredibly long and successful career, designing her first metal teapot to celebrate her 100th birthday.

Here are some of her furniture designs, which were outside the usual realm of her ceramics designs but beautiful nonetheless.


Resilient folding chair
moma.org

Lounge chair
ampersandvintagemodern.com

Coffee table
gearcrave.com

Monday, June 17, 2013

How designers live

While researching an upcoming post, I happened upon some extraordinary images of interiors of homes of well-known designers. The photographer, Leslie Williamson, has a spellbinding website that I urge you to visit. Her portfolio includes portraits of craftsmen and artists, as well as interior shots of beautiful spaces. What you see in this post are only a few of my favorites. I'm sure you will have favorites of your own.

All images from lesliewilliamson.com


Russel Wright's dining area - Garrison, NY

Vladimir Kagan's living room - New York City, NY

George Nakashima's Reception House - New Hope, PA

Irving Harper's bedroom - Rye, NY

Eva Zeisel's studio shelves - Rockland Co., NY
,
Charles and Ray Eames's studio - Pacific Palisades, CA

Walter Gropius's living room - Lincoln, MA

John Kapel's living room - Woodside, CA

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Sunday, July 1, 2012

Shmoos

In 1945, Eva Zeisel began designing the Town and Country line of dinnerware for Red Wing Pottery. Zeisel liked to think that the way the abstract pieces nestled together gave them human qualities reminiscent of a mother with her children or a family of friendly creatures.

Most collectors of mid-century pottery know that the Town and Country salt and pepper shakers are affectionately called "Shmoos," but how many of you know why?


etsy.com - Modernismus

In 1948 Al Capp introduced a little animal called the Shmoo to his satirical comicstrip Li'l Abner. According to a [December 20, 1948] Life magazine article, the Shmoo is "round as a bowling ball, cute as a cross between a penguin and a Kewpie doll." The Shmoo released people from the drudgery of work, because he provided them with all their needs. The Life article went on to say that the shmoo "multiplies like the fruit fly, he dies happily and ready for the cook stove when you look hungrily at him, he lays cheesecake on a platter and gives the finest creamery butter and grade 'A' milk already sealed in a bottle. Broiled, he tastes like steak; fried, he tastes like the yummiest chicken."  A Shmoo's eyes made perfect suspender buttons, his whiskers made great toothpicks and his skin made useful materials for the manufacture of clothing and building supplies.


northernstarart.com
newsarama.co,

Shmoos became an instant phenomenon. According to research by Denis Kitchen, an expert on the subjects of cartoon art, out of print books and unusual collectibles, almost 100 licensed Shmoo products were produced by 75 different manufacturers in less than a year, some of which sold five million units each.

Shmoo products
deniskitchen.com
Shmoo ashtray
etsy.com - MaxsAttic

According to Kitchen:

There had never previously been anything like it. Comparisons to contemporary cultural phenomena are inevitable. But modern crazes are almost always due to massive marketing campaigns by large media corporations, and are generally aimed at the youth market. The Shmoo phenomenon arose immediately, spontaneously and solely from cartoonist Al Capp's daily comic strip—and it appealed widely to Americans of all ages. Forty million people read the original 1948 Shmoo story, and Capp's already considerable readership roughly doubled following the overwhelming success of the Shmoo.

So now you have the back story. The next time you hear Zeisel's salt and pepper shakers referred to as "shmoos," you'll know why.

From books.google.com (Life, Dec 20, 1948), deniskitchen.com, britishmuseum.org and essortment.com

(Thanks to blogger friend Antay for mentioning shmoos in his post yesterday, which reminded me that I had been keeping a folder full of shmoo info on the back burner for a while.)

Sunday, January 1, 2012

Farewell to Eva Zeisel (1906-2011)

Eva Zeisel, one of the world's finest ceramic artists, died Friday in New York City at age 105.

Her innovative designs in the 1940s and 1950s changed the way people viewed tableware...and women designers.  She was instrumental in introducing Americans to a simpler, less formal table. She also was the first female designer to be given an exhibition at the Museum of Modern Art in New York in 1946.

This beautiful woman will be missed, but her designs will stay with us as a reminder of her grace and elegance.


Eva Striker Zeisel (1906-2011)
cooperhewitt.org

Zeisel with her Schramberg designs, c. 1930
brooklynrail.org

biddingforgood.com

ceramicartsdaily.com

slschramm.com

vam.ac.uk

Saturday, October 1, 2011

Delightful dinnerware

I recently bought Michael Pratt's Mid-Century Modern Dinnerware: A Pictorial Guide, and it is truly a feast for the eyes. The book contains hundreds of images, most of which depict far more of the pieces from each line than I could find on the Internet.  For those of you who are regulars at modish.net, this is a must-have reference book, and for those of you who love mid-century dinnerware but haven't discovered the site yet, I urge you to put a visit to it on your to-do list.

Pratt, an avid collector who owns almost ten thousand pieces of mid-century dinnerware, has written an amazing overview of the tableware designs of the leading potteries from the 1940s through the 1960s. Here are a few of the patterns mentioned in the book.

Brock Desert Mist
modish.net
Canonsburg Pottery Americana
etsy.com - DeliaWach
Denwar Bantu
modish.net
Hollydale Malibu Modern
thecollectorsdream.net
Gracetone Orbit
fotolog.com
Harkerware White Clover by Russel Wright
moodindigo.com
Eva Zeisel for Western Stoneware
liveauctioneers.com

Additionally, here are some of the patterns that we have (or have had until recently) for sale in the store.

Paul McCobb for Jackson China
Plate and bowl are the Brown Matchsticks pattern.
I haven't identified the stripe.
Syracuse China Jackstraws
We have several pieces of this pattern in our Etsy store.
Canonsburg Pottery Temporama
We also have several pieces of this pattern for sale in our Etsy store.
A reader of the blog just bought a full set of this
Taylor Smith & Taylor Cathay from us on eBay! :)
(Thanks again for your purchase!)