She started making gilt bronze jewelry at age 15 and selling it door-to-door. Already quite savvy about business, she sent out her invoices under her father's letterhead, because she was too young to own a company.
Her work was bold and dramatic, and it was often inscribed with the words of her favorite poets, prompting Vogue magazine to call her "The Poetess of Metal."
She was a prolific artist, setting a goal for herself of one object each day.
From independent.co.uk, agentofstyle.com and line-vautrin.fr
(Technical issues resulted in search engine problems for almost two years' worth of my older posts, so I am reposting the ones
I consider most informative. Though some of you have already viewed them, they
will be new to others of you. Originally posted 10/6/2013)
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| C'est la vie bracelet line-vautrin.fr | 
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| Icare bracelet line-vautrin.fr | 
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| Les arrondissements de Paris bracelet line-vautrin.fr | 
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| Les cœurs de Paris earrings | 
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| O comme oreilles earrings line-vautrin.fr | 
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| 
Le Métro belt 
line-vautrin.fr | 
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| Drapé powder compact line-vautrin.fr | 
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| De la poudre powder compact line-vautrin.fr | 
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| Le jour et la nuit powder compact line-vautrin.fr | 
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| Drapé  frangé  cigarette box line-vautrin.fr | 
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| La mer cigar box line-vautrin.fr | 
In the 1973 photo below, Vautrin poses in front of one of her folding screens. She is holding a Talosel sculpture with metal inlays. On her right is a Talosel egg inlayed with mirrors.
 




 
 
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