In the 1930s Guston became involved with murals and worked with a group of artists including James Brooks and Burgoyne Diller on Works Progress Administration's Federal Arts Projevt (WPA/FAP). His projects as a social realist painter included the WPA building at the 1939 World's Fair, the Queensbridge Housing Project, and the Social Security Building.
He left the project in 1940 and was artist-in-residence at the State University of Iowa from 1941-1945 and at Washington University. In 1947 he was awarded a Guggenheim Fellowship. He taught at New York University and the Pratt Institute. He was awarded a grant from the Ford Foundation in 1959.
He was influenced by the work of Diego Rivera and Pablo Picasso in his early years. In the 1950s he employed an abstract style using bright colors floating on a misty background, which by the end of the decade became darker. His most radical change in style came in the 1960s when he began to paint blunt cartoon shapes, which contained recurring images, such as the soles of shoes and people's heads.
During the 1950s, his work was referred to as American Impressionism. These paintings launched his career, but he will be best known for the his figurative paintings from the 1970s.
From moma.org and theartstory.org
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| Gladiators, 1940 cdlib.org |
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| Zone, 1953-54 pratt.edu |
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| Beggar's Joys, 1955 artobserved.com |
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| Dial, 1956 cdlib.org |
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| Prague, 1956 artobserved.com |
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| Painter's City, 1957 cdlib.org |
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| Cellar, 1970 cdlib.org |
Interesting how his earliest and latest paintings share similarities with Picasso, while the mid-century works are more amorphous.
ReplyDeleteI prefer his work during the 50s, and his most popular work of the 70s really does nothing for me.
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