Alvar Aalto (1898-1976) was born in Finland and studied architecture at the Helsinki Technical College. By 1923 he had established a practice near his hometown. In 1924, he married his assistant Aino Marsio, also an architect. They remained creative partners until Aino´s death in 1949.
Aalto´s first major project was a tuberculosis sanatorium at Paimio, which was completed in 1933. Although he believed in the Bauhaus concept of of functionalism, he nevertheless preferred natural materials for this project for the sick. He had experimented with bending birchwood during the late 1920´s and had the technical capacity to create the famous Paimo armchair for this project. This chair was made from a single piece of molded plywood, the first of its kind.
Aalvar achieved international recognition at the 1939 New York World´s Fair with his Finnish Pavilion, dubbed a "symphony in wood." As a result of the publicity generated by the pavilion, he received a professorship in architecture at the Massachusetts Institute of Technology from 1940-1949. Aalto designed a dormitory there during his tenure. Other significant projects include the Viipuri Library, his own house in Helsinki, and an exhibition pavilion celebrating the 700th anniversary of the town of Turku.
Aalto was widely honored for his work. He received an honorary doctorate from Princeton University in 1947, and the Royal Gold Medal of Architecture from the British Government. He was also appointed to the Academie der kunste, Berlin, the academy of Finland, and was made a Royal Honorary Designer for Industry in England.
From lostcityarts.com
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Paimio lounge chairs, designed 1930/these chairs 1960
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Two-tier side table, 1930s
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Upholstered dining chairs, 1950s
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Birch bench, 1960s
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Tank lounge chairs, 1950s
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Executive desk, 1930s
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Tea trolley, 1936
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Vase, 1936
coodet.com
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I can't believe you just posted about this the other day and then we found a Paimio chair a week later. What are the odds?
ReplyDeleteI was searching for the key word Bauhaus and found Aalto in a happy accident. Now this is fascinating: "although he believed in the Bauhaus concept of of functionalism, he nevertheless preferred natural materials for this project for the sick". Why might he have thought that Bauhaus designers could not, or would not use natural materials?
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